white tea
jessie wants gestures.
not hand gestures.
she wants big gestures,
romantic gestures.
but it’s not as if she doesn’t appreciate
the little things, like hand gestures.
it’s just, she’s already been there,
she’s already appreciated them.
the way she sees it:
some women want to get married,
and some women want to live every day
like it’s their wedding day
(source needed).
if you’re a mister or a misses, please feel free
to correct me if i’m wrong here,
but getting married, i imagine,
is a lot like hosting saturday night live.
which brings us to:
the eighteenth of november,
and jessie is standing at the altar with jamie,
the only boyfriend she’s ever had.
the baby, or whatever it is,
isn’t going to happen, hopefully,
until her family and his family
are getting along better.
they both say, “i do,”
and it’s a good thing.
at the reception,
the deejay, thirty-five years old, a black guy,
is throwing down an ecclectic mix
of hits
for the diverse crowd.
every song he queues up has three things:
a beat and a purpose
AND SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL SOUL.
off in the corner, suzy, a divorcee,
is throwing out her thoughts
like bouquets
to the bride’s friends and maids.
“always a bride’s maid,
never again a bride,” she assures them.
in this less than perfect world,
these two meet up:
the bitter bride’s maid
and the black deejay,
in a bedroom a few blocks away
from the reception hall.
surrounded by candles
and their competing aromas,
our deejay (black) places his face
next to suzy’s neck,
runs his hand down her back,
and waits
until she turns to him.
“we had a live band,” she says,
“at my wedding.”